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India, officially the Republic of India, is a country in South Asia. It is the seventh-largest country by area; the most populous country from June 2023 onwards; and since its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is near Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 1 Kapoor Khan in 2023 Kareena Kapoor Khan (pronounced [kəˈriːna kəˈpuːr xɑːn]; née Kapoor; born 21 September 1980) is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses. Born into the Kapoor family, she is the daughter of actors Babita and Randhir Kapoor, and the younger sister of actress Karisma Kapoor. After making her acting debut in 2000 in Refugee, Kapoor established herself the following year with several roles, including in the top-grossing drama Kabhi Khushi Kabhie Gham.... This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the 2004 drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on Desdemona in the 2006 crime film Omkara. Her performance as a loquacious woman in the romantic comedy Jab We Met (2007) earned her the Filmfare Award for Best Actress. (Full article...)

    Kapoor Khan in 2023

    Kareena Kapoor Khan (pronounced [kəˈriːna kəˈpuːr xɑːn]; née Kapoor; born 21 September 1980) is an Indian actress. A prolific leading lady of Hindi cinema since 2000, she is noted for her roles in a range of film genres—from romantic comedies to crime dramas. Kapoor is the recipient of several awards, including six Filmfare Awards, and as of 2024, is one of Hindi cinema's highest-paid actresses.

    Born into the Kapoor family, she is the daughter of actors Babita and Randhir Kapoor, and the younger sister of actress Karisma Kapoor. After making her acting debut in 2000 in Refugee, Kapoor established herself the following year with several roles, including in the top-grossing drama Kabhi Khushi Kabhie Gham.... This was followed by a series of commercial failures and negative reviews for her repetitive roles. An against-type performance as a sex worker in the 2004 drama Chameli marked a turning point in her career. She earned critical recognition for her portrayal of a riot victim in the 2004 drama Dev and a character based on Desdemona in the 2006 crime film Omkara. Her performance as a loquacious woman in the romantic comedy Jab We Met (2007) earned her the Filmfare Award for Best Actress. (Full article...)
  • Image 2 Greatest extent of the Western Chalukya Empire, 1121 AD The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani. For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)

    Greatest extent of the Western Chalukya Empire, 1121 AD

    The Western Chalukya Empire (/tʃəˈluːkjə/ chə-LOO-kyə) ruled most of the western Deccan, South India, between the 10th and 12th centuries. This dynasty is sometimes called the Kalyani Chalukya after its regal capital at Kalyani, today's Basavakalyan in the modern Bidar district of Karnataka state, and alternatively the Later Chalukya from its theoretical relationship to the 6th-century Chalukya dynasty of Badami. The dynasty is called Western Chalukyas to differentiate from the contemporaneous Eastern Chalukyas of Vengi, a separate dynasty. Before the rise of these Chalukyas, the Rashtrakuta Empire of Manyakheta controlled most of the Deccan Plateau and Central India for over two centuries. In 973, seeing confusion in the Rashtrakuta empire after a successful invasion of their capital by the ruler of the Paramara dynasty of Malwa, Tailapa II, a feudatory of the Rashtrakuta dynasty ruling from Bijapur region defeated his overlords and made Manyakheta his capital. The dynasty quickly rose to power and grew into an empire under Someshvara I who moved the capital to Kalyani.

    For over a century, the two empires of South India, the Western Chalukyas and the Chola dynasty of Thanjavur fought many fierce wars to control the fertile region of Vengi. During these conflicts, the Eastern Chalukyas of Vengi, distant cousins of the Western Chalukyas but related to the Cholas by marriage, took sides with the Cholas further complicating the situation. During the rule of Vikramaditya VI, in the late 11th and early 12th centuries, the Western Chalukyas convincingly contended with the Cholas and reached a peak, ruling territories that spread over most of the Deccan, between the Narmada River in the north and Kaveri River in the south. His exploits were not limited to the south for even as a prince, during the rule of Someshvara I, he had led successful military campaigns as far east as modern Bihar and Bengal. During this period the other major ruling families of the Deccan, the Hoysala Empire, the Seuna dynasty, the Kakatiya dynasty and the Kalachuris of Kalyani, were subordinates of the Western Chalukyas and gained their independence only when the power of the Chalukya waned during the later half of the 12th century. (Full article...)
  • Image 3 Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males. The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)

    Nyctibatrachus major, the Malabar night frog, large wrinkled frog, or Boulenger's narrow-eyed frog is a species of frog in the family Nyctibatrachidae, commonly known as the robust frogs. It was described in 1882 by the zoologist George Albert Boulenger, and is the type species of the genus Nyctibatrachus. It is a large frog for its genus, with an adult snout–vent length of 31.5–52.0 mm (1.24–2.05 in) for males and 43.7–54.2 mm (1.72–2.13 in) for females. It is mainly brownish to greyish in colour, with a dark greyish-brown upperside, a greyish-white underside, and light grey sides. It also has a variety of grey or brown markings. When preserved in ethanol, it is mostly greyish-brown to grey, with whitish sides. Sexes can be told apart by the presence of the femoral glands (bulbous glands near the inner thigh) in males.

    The species is endemic to the Western Ghats mountain range of India, where it is found in Kerala, Tamil Nadu, and Karnataka. Adults inhabit fast-moving forest streams at elevations of up to 900 m (3,000 ft) and have highly specific habitat requirements. Adults are mostly found in or near water and are nocturnal; subadults can be found during both the night and day. Its diet mainly consists of other frogs and insect larvae. Over a period of several days or weeks, females lay multiple small clutches of eggs on leaves and rocks overhanging water; tadpoles drop into the water below on hatching. The species is currently classified as being vulnerable on the IUCN Red List owing to its small and fragmented range and ongoing habitat degradation. Threats to the species include habitat loss, increased human presence near the streams it inhabits, and possibly nitrate pollution caused by fertiliser overuse. (Full article...)
  • Image 4 Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head. Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia). The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)

    Aravan worshipped at Sri Mariamman Temple, Singapore. A cobra hood is sheltering Aravan's head.

    Iravan also known as Iravat and Iravant, is a minor character from the Hindu epic Mahabharata. The son of Pandava prince Arjuna (one of the main heroes of the Mahabharata) and the Naga princess Ulupi, Iravan is the central deity of the cult of Kuttantavar (Kuttandavar) which is also the name commonly given to him in that tradition—and plays a major role in the sect of Draupadi. Both these sects are of Tamil origin, from a region of the country where he is worshipped as a village deity and is known as Aravan. He is also a patron god of well-known transgender communities called Alis (also Aravani in Tamil, and Hijra throughout South Asia).

    The Mahabharata portrays Iravan as dying a heroic death on the 8th day of the 18-day Kurukshetra War (Mahabharata war), the epic's main subject. However, the South Indian traditions have a supplementary practice of honouring Aravan's self-sacrifice to the goddess Kali to ensure her favour and the victory of the Pandavas in the war. The Kuttantavar tradition focuses on one of the three boons granted to Aravan by the god Krishna in honour of this self-sacrifice. Aravan requested that he be married before his death. Krishna satisfied this boon in his female form, Mohini. In Koovagam, Tamil Nadu, this incident is re-enacted in an 18-day festival, first by a ceremonial marriage of Aravan to Alis (hijra) and male villagers (who have taken vows to Aravan) and then by their widowhood after ritual re-enactment of Aravan's sacrifice. (Full article...)
  • Image 5 Core Western Ganga Territory Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 999 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district. After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)

    Core Western Ganga Territory

    Western Ganga was an important ruling dynasty of ancient Karnataka in India which lasted from about 350 to 999 CE. They are known as "Western Gangas" to distinguish them from the Eastern Gangas who in later centuries ruled over Kalinga (modern Odisha and Northern Andhra Pradesh). The general belief is that the Western Gangas began their rule during a time when multiple native clans asserted their freedom due to the weakening of the Pallava empire in South India, a geo-political event sometimes attributed to the southern conquests of Samudra Gupta. The Western Ganga sovereignty lasted from about 350 to 550 CE, initially ruling from Kolar and later, moving their capital to Talakadu on the banks of the Kaveri River in modern Mysore district.

    After the rise of the imperial Chalukyas of Badami, the Gangas accepted Chalukya overlordship and fought for the cause of their overlords against the Pallavas of Kanchi. The Chalukyas were replaced by the Rashtrakutas of Manyakheta in 753 CE as the dominant power in the Deccan. After a century of struggle for autonomy, the Western Gangas finally accepted Rashtrakuta overlordship and successfully fought alongside them against their foes, the Chola Dynasty of Tanjavur. In the late 10th century, north of Tungabhadra river, the Rashtrakutas were replaced by the emerging Western Chalukya Empire and the Chola Dynasty saw renewed power south of the Kaveri river. The defeat of the Western Gangas by Cholas around 1000 resulted in the end of the Ganga influence over the region. (Full article...)
  • Image 6 Bhatt at the 2022 Berlinale Alia Bhatt (/ˈɑːliə ˈbʌt/; born 15 March 1993) is a British actress of Indian descent who predominantly works in Hindi films. Known for her portrayals of women in challenging circumstances, she has received several accolades, including a National Film Award and six Filmfare Awards. She is one of India's highest-paid actresses. Time awarded her with the Time100 Impact Award in 2022 and named her one of the 100 most influential people in the world in 2024. Born into the Bhatt family, she is a daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller film Sangharsh, she played her first leading role in Karan Johar's teen film Student of the Year (2012). She won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014) and went on to establish herself with starring roles in several romantic films produced by Johar's studio Dharma Productions. (Full article...)

    Bhatt at the 2022 Berlinale

    Alia Bhatt (/ˈɑːliə ˈbʌt/; born 15 March 1993) is a British actress of Indian descent who predominantly works in Hindi films. Known for her portrayals of women in challenging circumstances, she has received several accolades, including a National Film Award and six Filmfare Awards. She is one of India's highest-paid actresses. Time awarded her with the Time100 Impact Award in 2022 and named her one of the 100 most influential people in the world in 2024.

    Born into the Bhatt family, she is a daughter of filmmaker Mahesh Bhatt and actress Soni Razdan. After making her acting debut as a child in the 1999 thriller film Sangharsh, she played her first leading role in Karan Johar's teen film Student of the Year (2012). She won the Filmfare Critics Award for Best Actress for playing a kidnapping victim in the road drama Highway (2014) and went on to establish herself with starring roles in several romantic films produced by Johar's studio Dharma Productions. (Full article...)
  • Image 7 Parinda (transl. Bird) is a 1989 Indian Hindi-language crime thriller film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor. Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
    Parinda (transl. Bird) is a 1989 Indian Hindi-language crime thriller film directed, produced and distributed by Vidhu Vinod Chopra. The film stars Jackie Shroff, Anil Kapoor, Nana Patekar and Madhuri Dixit. The story and scenario were written by Chopra, while Shiv Kumar Subramaniam and Imtiyaz Husain wrote the screenplay and dialogues, respectively. R. D. Burman composed the music and Khurshid Hallauri wrote the lyrics. Binod Pradhan served as the film's cinematographer and Renu Saluja was its editor.
    Parinda follows Kishan (Shroff), who works for the underworld chieftain Anna (Patekar). Kishan's brother Karan (Kapoor) returns home after completing his studies in the United States. The two brothers are caught on different sides of a gang war after Karan decides to avenge his friend's death by Anna. (Full article...)
  • Image 8 Sorabji in 1917 Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion. Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)

    Sorabji in 1917

    Kaikhosru Shapurji Sorabji (born Leon Dudley Sorabji; 14 August 1892 – 15 October 1988) was an English composer, music critic, pianist and writer whose music, written over a period of seventy years, ranges from sets of miniatures to works lasting several hours. One of the most prolific 20th-century composers, he is best known for his piano pieces, notably nocturnes such as Gulistān and Villa Tasca, and large-scale, technically intricate compositions, which include seven symphonies for piano solo, four toccatas, Sequentia cyclica and 100 Transcendental Studies. He felt alienated from English society by reason of his homosexuality and mixed ancestry, and had a lifelong tendency to seclusion.

    Sorabji was educated privately. His mother was English and his father a Parsi businessman and industrialist from India, who set up a trust fund that freed his family from the need to work. Although Sorabji was a reluctant performer and not a virtuoso, he played some of his music publicly between 1920 and 1936. In the late 1930s, his attitude shifted and he imposed restrictions on performance of his works, which he lifted in 1976. His compositions received little exposure in those years and he remained in public view mainly through his writings, which include the books Around Music and Mi contra fa: The Immoralisings of a Machiavellian Musician. During this time, he also left London and eventually settled in the village of Corfe Castle, Dorset. Information on Sorabji's life, especially his later years, is scarce, with most of it coming from the letters he exchanged with his friends. (Full article...)
  • Image 9 Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film. The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
    Waiting is a 2015 Indian Hindi-language drama film directed by Anu Menon. Produced by Priti Gupta and Manish Mundra under the banner of Ishka Films and Drishyam Films respectively, the film was co-written by Menon and James Ruzicka, and stars Naseeruddin Shah and Kalki Koechlin. Waiting focuses on the relationship between two people from different walks of life who befriend each other in a hospital, while nursing their respective comatose spouses. Rajat Kapoor, Suhasini Maniratnam, Arjun Mathur, Ratnabali Bhattacharjee and Rajeev Ravindranathan play supporting roles in the film.

    The development of the film began in June 2014, when Menon signed Koechlin and Shah for an untitled project. Principal photography started in November 2014 in the South Indian coastal city of Kochi; Neha Parti served as the cinematographer for the film. New Zealand-based singer-songwriter Mikey McCleary composed the film's score. Nitin Baid and Apurva Asrani edited the film, and Atika Chohan wrote the dialogue. Waiting also marked the Hindi film debut of the prominent South Indian actress-director Suhasini Maniratnam. Koechlin also made her debut as a lyricist with the film's soundtrack, writing the song "Waiting for You". (Full article...)
  • Image 10 The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical drama film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931. The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
    The Legend of Bhagat Singh is a 2002 Indian Hindi-language biographical drama film directed by Rajkumar Santoshi. The film is about Bhagat Singh, a revolutionary who fought for Indian independence along with fellow members of the Hindustan Socialist Republican Association. It features Ajay Devgan as the titular character along with Sushant Singh, D. Santosh and Akhilendra Mishra as the other lead characters. Raj Babbar, Farida Jalal and Amrita Rao play supporting roles. The film chronicles Singh's life from his childhood where he witnesses the Jallianwala Bagh massacre until the day he was hanged to death before the official trial dated 24 March 1931.

    The film was produced by Kumar and Ramesh Taurani's Tips Industries on a budget of ₹200–250 million (about US$4.2–5.2 million in 2002). The story and dialogue were written by Santoshi and Piyush Mishra respectively, while Anjum Rajabali drafted the screenplay. K. V. Anand, V. N. Mayekar and Nitin Chandrakant Desai were in charge of the cinematography, editing and production design respectively. Principal photography took place in Agra, Manali, Mumbai and Pune from January to May 2002. The soundtrack and film score were composed by A. R. Rahman, with the songs "Mera Rang De Basanti" and "Sarfaroshi Ki Tamanna" being well received in particular. (Full article...)
  • Image 11 Male in Serengeti National Park, Tanzania The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator. The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)

    Male in Serengeti National Park, Tanzania

    The lion (Panthera leo) is a large cat of the genus Panthera, native to Africa and India. It has a muscular, broad-chested body; a short, rounded head; round ears; and a dark, hairy tuft at the tip of its tail. It is sexually dimorphic; adult male lions are larger than females and have a prominent mane. It is a social species, forming groups called prides. A lion's pride consists of a few adult males, related females, and cubs. Groups of female lions usually hunt together, preying mostly on medium-sized and large ungulates. The lion is an apex and keystone predator.

    The lion inhabits grasslands, savannahs, and shrublands. It is usually more diurnal than other wild cats, but when persecuted, it adapts to being active at night and at twilight. During the Neolithic period, the lion ranged throughout Africa and Eurasia, from Southeast Europe to India, but it has been reduced to fragmented populations in sub-Saharan Africa and one population in western India. It has been listed as Vulnerable on the IUCN Red List since 1996 because populations in African countries have declined by about 43% since the early 1990s. Lion populations are untenable outside designated protected areas. Although the cause of the decline is not fully understood, habitat loss and conflicts with humans are the greatest causes for concern. (Full article...)
  • Image 12 Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor. Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
    Aitraaz (transl. Objection) is a 2004 Indian Hindi-language romantic thriller film directed by Abbas–Mustan and produced by Subhash Ghai. It stars Akshay Kumar, Priyanka Chopra and Kareena Kapoor.

    Aitraaz tells the story of a man accused of sexual harassment by his female superior, and was released on 12 November 2004 to positive reviews. Chopra received widespread critical acclaim for her performance. Loosely based on the 1994 film Disclosure, the film was a major commercial success grossing ₹260 million at the box office against a budget of ₹110 million, and has been noted for its bold subject of male sexual harassment. (Full article...)
  • Image 13 The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of two main tournaments—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only—as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India. The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
    The 44th Chess Olympiad was an international team chess event organised by the International Chess Federation (FIDE) in Chennai, India, from 28 July to 10 August 2022. It consisted of two main tournaments—an Open event, enabling participation of players from all genders, and a Women's event, enabling participation of female players only—as well as several events to promote chess. The Olympiad was initially supposed to take place in Khanty-Mansiysk, Russia, the host of the Chess World Cup 2019, in August 2020, but it was later moved to Moscow. However, it was postponed due to the COVID-19 pandemic and then relocated to Chennai following Russia's invasion of Ukraine. This was the first Chess Olympiad to take place in India.

    The total number of participants was 1,737: 937 in the Open and 800 in the Women's event. The number of registered teams was 188 from 186 nations in the Open section and 162 from 160 nations in the Women's section; being the host nation, India had three teams participating in each section. Both sections set team participation records. The main venue of the Chess Olympiad was the convention centre at the Four Points by Sheraton, while the opening and closing ceremonies were held at the Jawaharlal Nehru Stadium. The Chief Arbiter of the event was France's Laurent Freyd. (Full article...)
  • Image 14 A female African bush elephant in Mikumi National Park, Tanzania Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)

    A female African bush elephant in Mikumi National Park, Tanzania

    Elephants are the largest living land animals. Three living species are currently recognised: the African bush elephant (Loxodonta africana), the African forest elephant (L. cyclotis), and the Asian elephant (Elephas maximus). They are the only surviving members of the family Elephantidae and the order Proboscidea; extinct relatives include mammoths and mastodons. Distinctive features of elephants include a long proboscis called a trunk, tusks, large ear flaps, pillar-like legs, and tough but sensitive grey skin. The trunk is prehensile, bringing food and water to the mouth and grasping objects. Tusks, which are derived from the incisor teeth, serve both as weapons and as tools for moving objects and digging. The large ear flaps assist in maintaining a constant body temperature as well as in communication. African elephants have larger ears and concave backs, whereas Asian elephants have smaller ears and convex or level backs.

    Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia and are found in different habitats, including savannahs, forests, deserts, and marshes. They are herbivorous, and they stay near water when it is accessible. They are considered to be keystone species, due to their impact on their environments. Elephants have a fission–fusion society, in which multiple family groups come together to socialise. Females (cows) tend to live in family groups, which can consist of one female with her calves or several related females with offspring. The leader of a female group, usually the oldest cow, is known as the matriarch. (Full article...)
  • Image 15 Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family. The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
    Pather Panchali (Bengali pronunciation: [pɔtʰer pãtʃali] ⓘ, transl. Song of the Little Road) is a 1955 Indian Bengali-language drama film written and directed by Satyajit Ray in his directoral debut and produced by the Government of West Bengal. It is an adaptation of Bibhutibhushan Bandyopadhyay's 1929 Bengali novel of the same name and features Subir Banerjee, Kanu Banerjee, Karuna Banerjee, Uma Dasgupta, and Chunibala Devi in major roles. The first film in The Apu Trilogy, Pather Panchali depicts the childhood travails of the protagonist Apu and his elder sister Durga amid the harsh village life of their poor family.

    The film was shot mainly on location, had a limited budget, featured mostly amateur actors, and was made by an inexperienced crew. Lack of funds led to frequent interruptions in production, which took nearly three years, but the West Bengal government pulled Ray out of debt by buying the film for the equivalent of $60,000, which it turned into a profit of $700,000 by 1980. The sitar player Ravi Shankar composed the film's soundtrack and score using classical Indian ragas. Subrata Mitra was in charge of the cinematography while editing was handled by Dulal Dutta. Following its premiere on 3 May 1955 during an exhibition at New York's Museum of Modern Art, Pather Panchali was released in Calcutta the same year to an enthusiastic reception. A special screening was attended by the Chief Minister of West Bengal and the Prime Minister of India. (Full article...)
  • Image 16 Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor. He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)

    Reginald Heber (21 April 1783 – 3 April 1826) was an English Anglican bishop, a man of letters, and hymn-writer. After 16 years as a country parson, he served as Bishop of Calcutta until his death at the age of 42. The son of a rich landowner and cleric, Heber gained fame at the University of Oxford as a poet. After graduation he made an extended tour of Scandinavia, Russia and Central Europe. Ordained in 1807, he took over his father's old parish, Hodnet, Shropshire. He also wrote hymns and general literature, including a study of the works of the 17th-century cleric Jeremy Taylor.

    He was consecrated Bishop of Calcutta in October 1823. He travelled widely and worked to improve the spiritual and general living conditions of his flock. Arduous duties, a hostile climate and poor health led to his collapse and death after less than three years in India. Memorials were erected there and in St Paul's Cathedral, London. A collection of his hymns appeared soon after his death. "Holy, Holy, Holy! Lord God Almighty" remains popular for Trinity Sunday, while "Brightest and Best" is frequently sung during Epiphany. (Full article...)
  • Image 17 Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love". Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
    Loev (pronounced love) is a 2015 Indian romantic drama film written and directed by Sudhanshu Saria. It stars Dhruv Ganesh and Shiv Panditt as two friends who set off to the Western Ghats for a weekend trip and focuses on their complex emotional and sexual relationship. It was Ganesh's final film, as he died from tuberculosis before its release. Loev also features Siddharth Menon and Rishabh Chaddha in supporting roles. The film's title is a deliberate misspelling of the word "love".

    Saria wrote Loev's script while he was working on the draft of the unreleased film I Am Here and drew heavily from his personal experiences. It was eventually picked up for production by Arfi Lamba and Katherine Suckale despite Saria's own doubts on its viability. Principal photography took place at Mahabaleshwar, in the Western Ghats in peninsular India, and at Mumbai. The film was shot in the summer of 2014 over the course of sixteen days by the cinematographer Sherri Kauk in 2K resolution. It relied on crowdfunding and cost-cutting measures; its budget was relatively low at US$1 million. (Full article...)
  • Image 18 Eega (transl. The Fly) is a 2012 Indian Telugu-language fantasy action film written and directed by S. S. Rajamouli. The film was produced by Sai Korrapati's Vaaraahi Chalana Chitram with an estimated budget of ₹30–40 crore (US$6–7 million). It was filmed simultaneously in Tamil with the title Naan Ee (transl. I, the Fly). The film stars Nani, Samantha, and Sudeep. M. M. Keeravani composed the songs and the background score, while K. K. Senthil Kumar was the director of photography. Janardhana Maharshi and Crazy Mohan wrote the dialogue for the Telugu and Tamil versions, respectively. The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
    Eega (transl. The Fly) is a 2012 Indian Telugu-language fantasy action film written and directed by S. S. Rajamouli. The film was produced by Sai Korrapati's Vaaraahi Chalana Chitram with an estimated budget of ₹30–40 crore (US$6–7 million). It was filmed simultaneously in Tamil with the title Naan Ee (transl. I, the Fly). The film stars Nani, Samantha, and Sudeep. M. M. Keeravani composed the songs and the background score, while K. K. Senthil Kumar was the director of photography. Janardhana Maharshi and Crazy Mohan wrote the dialogue for the Telugu and Tamil versions, respectively.

    The film's narrative is in the form of a bedtime story told by a father to his daughter. Its protagonist, Nani, who is in love with his neighbour Bindu, is murdered by a wealthy industrialist named Sudeep, who is attracted to Bindu and considers Nani a rival. Nani reincarnates as a housefly and tries to avenge his death and protect Bindu from an obsessive Sudeep. (Full article...)
  • Image 19 Mukerji promoting Hichki in 2018 Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s. Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)

    Mukerji promoting Hichki in 2018

    Rani Mukerji (pronounced Hindustani pronunciation: [raːni mʊkʰərdʒi]; born 21 March 1978) is an Indian actress who works in Hindi films. Noted for her versatility, she is the recipient of multiple accolades, including eight Filmfare Awards. Mukerji has featured in listings of the leading and highest-paid actresses of the 2000s.

    Born into the Mukherjee-Samarth family, Mukerji dabbled with acting as a teenager by starring in her father Ram Mukherjee's Bengali-language film Biyer Phool and in the social drama Raja Ki Aayegi Baaraat (both 1996). Mukerji had her first commercial success with the action film Ghulam and breakthrough with the romance Kuch Kuch Hota Hai (both 1998). Following a brief setback, the year 2002 marked a turning point for her when she was cast by Yash Raj Films as the star of the drama Saathiya. (Full article...)
  • Image 20 Durrell in Askania Nova, 1985 Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller. In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)

    Durrell in Askania Nova, 1985

    Gerald Malcolm Durrell OBE (7 January 1925 – 30 January 1995) was a British naturalist, writer, zookeeper, conservationist, and television presenter. He was born in Jamshedpur in British India, and moved to England when his father died in 1928. In 1935 the family moved to Corfu, and stayed there for four years, before the outbreak of World War II forced them to return to the UK. In 1946 he received an inheritance from his father's will that he used to fund animal-collecting trips to the British Cameroons and British Guiana. He married Jacquie Rasen in 1951; they had very little money, and she persuaded him to write an account of his first trip to the Cameroons. The result, titled The Overloaded Ark, sold well, and he began writing accounts of his other trips. An expedition to Argentina and Paraguay followed in 1953, and three years later he published My Family and Other Animals, which became a bestseller.

    In the late 1950s Durrell decided to found his own zoo. He finally found a suitable site on the island of Jersey, and leased the property in late 1959. He envisaged the Jersey Zoo as an institution for the study of animals and for captive breeding, rather than a showcase for the public. In 1963 control of the zoo was turned over to the Jersey Wildlife Preservation Trust. The zoo repeatedly came close to bankruptcy over the next few years, and Durrell raised money for it by his writing and by fundraising appeals. To guarantee the zoo's future, Durrell launched a successful appeal in 1970 for funds to purchase the property. (Full article...)
  • Image 21 Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages. The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)

    Tripura (/ˈtrɪpʊrə, -ərə/) is a state in northeastern India. The third-smallest state in the country, it covers 10,491 km2 (4,051 sq mi); and the seventh-least populous state with a population of 3.67 million. It is bordered by Assam and Mizoram to the east and by Bangladesh to the north, south and west. Tripura is divided into 8 districts and 23 sub-divisions, where Agartala is the capital and the largest city in the state. Tripura has 19 different tribal communities with a majority Bengali population. Bengali, English and Kokborok are the state's official languages.

    The area of modern Tripura — ruled for several centuries by the Manikya Dynasty — was part of the Tripuri Kingdom (also known as Hill Tippera). It became a princely state under the British Raj during its tenure, and acceded to independent India in 1947. It merged with India in 1949 and was designated as a 'Part C State' (union territory). It became a full-fledged state of India in 1972. (Full article...)
  • Image 22 Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. It tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai. Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
    Anbe Sivam (transl. Love Is God) is a 2003 Indian Tamil-language slice-of-life drama film directed by Sundar C and produced by Lakshmi Movie Makers. The film was written by Kamal Haasan, and Madhan provided the dialogues. Anbe Sivam stars Haasan, Madhavan and Kiran Rathod, with Nassar, Santhana Bharathi, Seema and Uma Riyaz Khan playing supporting characters. It tells the story of Nallasivam and Anbarasu, two men of contrasting personalities who undertake an unexpected journey from Bhubaneswar to Chennai.

    Produced on a budget of ₹120 million, Anbe Sivam takes on themes such as communism, atheism, and altruism and depicts Haasan's humanist views. The music was composed by Vidyasagar. Arthur A. Wilson served as the cinematographer and M. Prabhaharan served as the art director. (Full article...)
  • Image 23 Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son. The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
    Mughal-e-Azam (transl. The Great Mughal) is a 1960 Indian epic historical drama film produced and directed by K. Asif. Starring Prithviraj Kapoor, Dilip Kumar, Madhubala, and Durga Khote, it follows the love affair between Mughal Prince Salim (who went on to become Emperor Jahangir) and Anarkali, a court dancer. Salim's father, Emperor Akbar, disapproves of the relationship, which leads to a war between father and son.

    The development of Mughal-e-Azam began in 1944, when Asif read a 1922 play called Anarkali, by the playwright Imtiaz Ali Taj, which is set in the reign of Emperor Akbar (1556–1605). Production was plagued by delays and financial uncertainty. Before its principal photography began in the early 1950s, the project had lost a financier and undergone a complete change of cast. Mughal-e-Azam cost more to produce than any previous Indian motion picture; the budget for a single song sequence exceeded that typical for an entire film of the period. The soundtrack, inspired by Indian classical and folk music, comprises 12 songs voiced by playback singer Lata Mangeshkar along with Mohammed Rafi, Shamshad Begum, and classical singer Bade Ghulam Ali Khan, and is often cited among the finest in the history of Hindi cinema. (Full article...)
  • Image 24 Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects. Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
    Sir Robert Eric Mortimer Wheeler CH CIE MC TD FRS FBA FSA (10 September 1890 – 22 July 1976) was a British archaeologist and officer in the British Army. Over the course of his career, he served as Director of both the National Museum of Wales and London Museum, Director-General of the Archaeological Survey of India, and the founder and Honorary Director of the Institute of Archaeology in London, in addition to writing twenty-four books on archaeological subjects.

    Born in Glasgow to a middle-class family, Wheeler was raised largely in Yorkshire before moving to London in his teenage years. After studying classics at University College London (UCL), he began working professionally in archaeology, specialising in the Romano-British period. During World War I he volunteered for service in the Royal Artillery, being stationed on the Western Front, where he rose to the rank of major and was awarded the Military Cross. Returning to Britain, he obtained his doctorate from UCL before taking on a position at the National Museum of Wales, first as Keeper of Archaeology and then as Director, during which time he oversaw excavation at the Roman forts of Segontium, Y Gaer, and Isca Augusta with the aid of his first wife, Tessa Wheeler. Influenced by the archaeologist Augustus Pitt Rivers, Wheeler argued that excavation and the recording of stratigraphic context required an increasingly scientific and methodical approach, developing the "Wheeler method". In 1926, he was appointed Keeper of the London Museum; there, he oversaw a reorganisation of the collection, successfully lobbied for increased funding, and began lecturing at UCL. (Full article...)
  • Image 25 The central image at Vithoba Temple in Pandharpur Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai. Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)

    The central image at Vithoba Temple in Pandharpur

    Vithoba (IAST: Viṭhobā), also known as Vitthala (IAST: Viṭṭhala), and Panduranga (IAST: Pāṇḍuraṅga), is a Hindu deity predominantly worshipped in the Indian states of Maharashtra and Karnataka. He is a form of the Hindu deity Vishnu in his avatar: Krishna. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.

    Vithoba is the focus of an essentially monotheistic, non-ritualistic bhakti-driven Varkari faith in Maharashtra and the Haridasa sect established in Dvaita Vedanta in Karnataka. Vithoba Temple, Pandharpur is his main temple. Vithoba legends revolve around his devotee Pundalik who is credited for bringing the deity to Pandharpur, and around Vithoba's role as a saviour to the poet-saints of the Varkari faith. The Varkari poet-saints are known for their unique genre of devotional lyric, the abhang, dedicated to Vithoba and composed in Marathi. Other devotional literature dedicated to Vithoba includes the Kannada hymns of the Haridasa and the Marathi versions of the generic aarti songs associated with rituals of offering light to the deity. The most important festivals of Vithoba are held on Shayani Ekadashi in the month of Ashadha, and Prabodhini Ekadashi in the month of Kartika. (Full article...)
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  • Image 1 Subedar Joginder Singh Sahnan, PVC (26 September 1921 – 23 October 1962), was an Indian soldier and posthumous recipient of India's highest military award, the Param Vir Chakra. Singh joined the British Indian Army in 1936 and served in the 1st battalion of the Sikh Regiment. During the 1962 Sino-Indian War, he was commanding a platoon at the Bum La Pass in the North-East Frontier Agency. Though heavily outnumbered, he bravely led his troops against a Chinese assault and defended his post until he was wounded and captured. Singh died from his injuries while in Chinese custody. He single-handedly killed more than 50 Chinese soldiers, and became a war hero within the Indian Armed Forces. (Full article...)
    Subedar Joginder Singh Sahnan, PVC (26 September 1921 – 23 October 1962), was an Indian soldier and posthumous recipient of India's highest military award, the Param Vir Chakra. Singh joined the British Indian Army in 1936 and served in the 1st battalion of the Sikh Regiment. During the 1962 Sino-Indian War, he was commanding a platoon at the Bum La Pass in the North-East Frontier Agency. Though heavily outnumbered, he bravely led his troops against a Chinese assault and defended his post until he was wounded and captured. Singh died from his injuries while in Chinese custody. He single-handedly killed more than 50 Chinese soldiers, and became a war hero within the Indian Armed Forces. (Full article...)
  • Image 2 Ebrahim in 2010 Ebrahim Ismail Ebrahim OLG (1 July 1937 – 6 December 2021) was a South African anti-apartheid activist of Indian origin who was a member of the African National Congress's armed wing uMkhonto we Sizwe. He was tried in the Pietermaritzburg sabotage trials of 1963 and was sentenced to a 15-year imprisonment at the Robben Island Maximum Security Prison. Popularly known as Ebie, he served as a lawmaker in the first democratically elected government of South Africa in 1994 and also served as the country's deputy minister for international relations between 2009 and 2014. (Full article...)

    Ebrahim in 2010

    Ebrahim Ismail Ebrahim OLG (1 July 1937 – 6 December 2021) was a South African anti-apartheid activist of Indian origin who was a member of the African National Congress's armed wing uMkhonto we Sizwe. He was tried in the Pietermaritzburg sabotage trials of 1963 and was sentenced to a 15-year imprisonment at the Robben Island Maximum Security Prison.

    Popularly known as Ebie, he served as a lawmaker in the first democratically elected government of South Africa in 1994 and also served as the country's deputy minister for international relations between 2009 and 2014. (Full article...)
  • Image 3 Rajani Pandit (born 1962) is an Indian private investigator and entrepreneur from Maharashtra. Credited as the first female detective in India, in 1986 she started the Rajani Investigative Bureau, which by 2010 had grown to employ a staff of 30 detectives. Her firm primarily handles cases involving marital issues or suspected affairs, but also investigates missing persons, murder, and corporate espionage, and conducts background checks of political candidates. Pandit has authored two Marathi books on her experiences, Faces Behind Faces and Mayajal, and was the subject of the documentary Lady James Bond. In February 2018, Pandit was among several Indian private investigators arrested by police in connection with an alleged scam involving the illegal sale and purchase of call data records. She was released on bail after 40 days and denied all wrong-doing. (Full article...)
    Rajani Pandit (born 1962) is an Indian private investigator and entrepreneur from Maharashtra. Credited as the first female detective in India, in 1986 she started the Rajani Investigative Bureau, which by 2010 had grown to employ a staff of 30 detectives. Her firm primarily handles cases involving marital issues or suspected affairs, but also investigates missing persons, murder, and corporate espionage, and conducts background checks of political candidates. Pandit has authored two Marathi books on her experiences, Faces Behind Faces and Mayajal, and was the subject of the documentary Lady James Bond.

    In February 2018, Pandit was among several Indian private investigators arrested by police in connection with an alleged scam involving the illegal sale and purchase of call data records. She was released on bail after 40 days and denied all wrong-doing. (Full article...)
  • Image 4 Rama and Lakshmana seated on Kabandha's arms, about to sever them. Kabandha is depicted with a big mouth on his stomach and no head or neck; though depicted with two eyes, the Ramayana describes him as one-eyed. (Painting on the ceiling of Kodandaramaswamy Temple, Ayodhyapatinam near Salem, probably 16th-century.) In Hinduism, Kabandha (कबन्ध, Kabandha, lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics Ramayana and Mahabharata, as well as in later Ramayana adaptations. Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by a sage named Sthulshira. In an encounter with Rama and Lakshmana, the brothers sever his arms and proceed to cremate his corpse. Upon his death, Kabandha resumes his Gandharva form and directs Rama to the Rishyamukha mountain, where the exiled monkey-chief Sugriva is hiding. Kabandha advises Rama to form an alliance with Sugriva, who would be of assistance in the search for Rama's wife Sita, who had been kidnapped by Ravana, the demon-king of Lanka. Following Kabandha's advice, Rama befriends Sugriva and rescues Sita with his help. (Full article...)
    Rama and Lakshmana seated on Kabandha's arms, about to sever them. Kabandha is depicted with a big mouth on his stomach and no head or neck; though depicted with two eyes, the Ramayana describes him as one-eyed. (Painting on the ceiling of Kodandaramaswamy Temple, Ayodhyapatinam near Salem, probably 16th-century.)


    In Hinduism, Kabandha (कबन्ध, Kabandha, lit. "headless torso") is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics Ramayana and Mahabharata, as well as in later Ramayana adaptations.

    Kabandha was a gandharva (celestial musician) named Vishvavasu or Danu, who was cursed and made into an ugly, carnivorous demon by a sage named Sthulshira. In an encounter with Rama and Lakshmana, the brothers sever his arms and proceed to cremate his corpse. Upon his death, Kabandha resumes his Gandharva form and directs Rama to the Rishyamukha mountain, where the exiled monkey-chief Sugriva is hiding. Kabandha advises Rama to form an alliance with Sugriva, who would be of assistance in the search for Rama's wife Sita, who had been kidnapped by Ravana, the demon-king of Lanka. Following Kabandha's advice, Rama befriends Sugriva and rescues Sita with his help. (Full article...)
  • Image 5 The Transgender Persons (Protection of Rights) Act, 2019 is an act of the Parliament of India with the objective to provide for protection of rights of transgender people, their welfare, and other related matters. The act was introduced in the Lok Sabha, the lower house of the Parliament, on 19 July 2019 by the Minister of Social Justice and Empowerment, Thawar Chand Gehlot, in light of the lapse of the Transgender Persons (Protection of Rights) Bill, 2018 (Bill No. 210-C of 2016). The 2019 act and the immediately preceding 2018 bill, were both preceded by a 2016 version. They were met with protests and criticism by some transgender people, lawyers, and activists in India. The 2016 bill was sent to a standing committee which submitted its report in July 2017. Following this, the Lok Sabha tabled and passed a newer version of the bill in December 2018. However, it did not incorporate many of the committee's recommendations. Although members of the opposition criticised the 2019 act and assured activists that they would not vote in favour of it, it was passed by the Lok Sabha on 5 August 2019 and by the Rajya Sabha, the upper house of the Parliament, on 26 November 2019. The president assented to it on 5 December 2019, upon which the act was published in the Gazette of India. It has been in effect since 10 January 2020 following a notification of the same in the Gazette on the same day. Following protests by the queer community against the 2016 and 2018 bills, the 2019 act has done away with few of the severely criticised provisions of the 2018 bill, such as the criminalisation of begging and the establishment of a district screening committee to process applications for issuance of transgender person certificates. However, it fails to incorporate yet other principles in line with the Supreme Court judgment in National Legal Services Authority v. Union of India (NALSA v. UOI) in 2014, such as the right of transgender people to declare their self-perceived gender identity without undergoing sex reassignment surgery, and reservations in jobs and educational institutions. The act has also been criticised for imposing less punishment for crimes against transgender people compared with punishment for crimes against cisgender people. On 27 January 2020, the Supreme Court issued a notice to the central government in a petition challenging the constitutionality of the act. (Full article...)
    The Transgender Persons (Protection of Rights) Act, 2019 is an act of the Parliament of India with the objective to provide for protection of rights of transgender people, their welfare, and other related matters. The act was introduced in the Lok Sabha, the lower house of the Parliament, on 19 July 2019 by the Minister of Social Justice and Empowerment, Thawar Chand Gehlot, in light of the lapse of the Transgender Persons (Protection of Rights) Bill, 2018 (Bill No. 210-C of 2016). The 2019 act and the immediately preceding 2018 bill, were both preceded by a 2016 version. They were met with protests and criticism by some transgender people, lawyers, and activists in India. The 2016 bill was sent to a standing committee which submitted its report in July 2017. Following this, the Lok Sabha tabled and passed a newer version of the bill in December 2018. However, it did not incorporate many of the committee's recommendations. Although members of the opposition criticised the 2019 act and assured activists that they would not vote in favour of it, it was passed by the Lok Sabha on 5 August 2019 and by the Rajya Sabha, the upper house of the Parliament, on 26 November 2019. The president assented to it on 5 December 2019, upon which the act was published in the Gazette of India. It has been in effect since 10 January 2020 following a notification of the same in the Gazette on the same day.

    Following protests by the queer community against the 2016 and 2018 bills, the 2019 act has done away with few of the severely criticised provisions of the 2018 bill, such as the criminalisation of begging and the establishment of a district screening committee to process applications for issuance of transgender person certificates. However, it fails to incorporate yet other principles in line with the Supreme Court judgment in National Legal Services Authority v. Union of India (NALSA v. UOI) in 2014, such as the right of transgender people to declare their self-perceived gender identity without undergoing sex reassignment surgery, and reservations in jobs and educational institutions. The act has also been criticised for imposing less punishment for crimes against transgender people compared with punishment for crimes against cisgender people. On 27 January 2020, the Supreme Court issued a notice to the central government in a petition challenging the constitutionality of the act. (Full article...)
  • Image 6 India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964. The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
    India participated at the 2018 Winter Olympics in Pyeongchang, South Korea, held between 9 and 25 February 2018. The country's participation in Pyeongchang marked its tenth appearance at the Winter Olympics since its debut in 1964.

    The Indian team consisted of alpine skier Jagadish Singh and luger Shiva Keshavan, who was the country's flag-bearer during the opening ceremony. Both of them did not win a medal, and as of these Games, India had not earned a Winter Olympic medal. A volunteer served as the flag-bearer during the closing ceremony. (Full article...)
  • Image 7 The Voice is an Indian Hindi-language singing reality talent show, based on the original Dutch version of the program created by John de Mol and is part of a wider international franchise. The series employs a panel of four coaches who critique the artists' performances. Each coach guides their team of selected artists through the remainder of the season. They also compete to ensure that their act wins the competition, thus making them the winning coach. The show first aired on 6 June 2015 on &TV and has aired for three seasons; it has produced three winners: Pawandeep Rajan, Farhan Sabir and Sumit Saini. (Full article...)
    The Voice is an Indian Hindi-language singing reality talent show, based on the original Dutch version of the program created by John de Mol and is part of a wider international franchise. The series employs a panel of four coaches who critique the artists' performances. Each coach guides their team of selected artists through the remainder of the season. They also compete to ensure that their act wins the competition, thus making them the winning coach.

    The show first aired on 6 June 2015 on &TV and has aired for three seasons; it has produced three winners: Pawandeep Rajan, Farhan Sabir and Sumit Saini. (Full article...)
  • Image 8 The 2015–16 season was the third in the history of Bengaluru Football Club. It began on 1 June 2015 and concluded on 31 May 2016, with competitive matches occurring between January and May. The club ended their I-League campaign as champions for the second time, only winning by two points ahead of second placed Mohun Bagan. In the Federation Cup, Bengaluru were eliminated early in the first round, suffering defeat to Aizawl. In the AFC Cup, Bengaluru managed to make it past the Round of 16, defeating Kitchee. The victory had qualified the club for the quarter-finals which would take place the next season. Prior to the start of the season, Bengaluru were very active making squad changes. Players who have been with the club since their first season such as Sean Rooney and domestic players Darren Caldeira, Malemngamba Meitei, Pawan Kumar, and Robin Singh left after their contracts expired. Club captain Sunil Chhetri and midfielder Thoi Singh had also left the club for Indian Super League clubs Mumbai City and Chennaiyin respectively. Both would return on loan after the 2015 ISL season. Forward Kim Song-yong was signed by head coach Ashley Westwood to replace Rooney. Midfielder Michael Collins was signed a couple weeks after the start of the I-League season as an injury replacement to Josh Walker. Indian youth internationals Amrinder Singh and Seiminlen Doungel were also brought in by Westwood, alongside young prospects Daniel Lalhlimpuia, Malsawmzuala, and Nishu Kumar from the AIFF Elite Academy. (Full article...)
    The 2015–16 season was the third in the history of Bengaluru Football Club. It began on 1 June 2015 and concluded on 31 May 2016, with competitive matches occurring between January and May. The club ended their I-League campaign as champions for the second time, only winning by two points ahead of second placed Mohun Bagan. In the Federation Cup, Bengaluru were eliminated early in the first round, suffering defeat to Aizawl. In the AFC Cup, Bengaluru managed to make it past the Round of 16, defeating Kitchee. The victory had qualified the club for the quarter-finals which would take place the next season.

    Prior to the start of the season, Bengaluru were very active making squad changes. Players who have been with the club since their first season such as Sean Rooney and domestic players Darren Caldeira, Malemngamba Meitei, Pawan Kumar, and Robin Singh left after their contracts expired. Club captain Sunil Chhetri and midfielder Thoi Singh had also left the club for Indian Super League clubs Mumbai City and Chennaiyin respectively. Both would return on loan after the 2015 ISL season. Forward Kim Song-yong was signed by head coach Ashley Westwood to replace Rooney. Midfielder Michael Collins was signed a couple weeks after the start of the I-League season as an injury replacement to Josh Walker. Indian youth internationals Amrinder Singh and Seiminlen Doungel were also brought in by Westwood, alongside young prospects Daniel Lalhlimpuia, Malsawmzuala, and Nishu Kumar from the AIFF Elite Academy. (Full article...)
  • Image 9 Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars of the Chhayawadi era in Hindi literature. She has also been addressed as the modern Meera. Poet Nirala had once called her "Saraswati in the vast temple of Hindi Literature". Verma witnessed India before and after its independence. She was one of those poets who worked for the wider society of India. Her poetry, along with her work towards social upliftment and women's welfare, were depicted in her writings. These works, especially her anthology Deepshikha, greatly influenced both readers and critics. She developed a soft vocabulary in the Hindi poetry of Khadi Boli, which before her was considered possible only in Braj Bhasha. She was also well-versed in music, and her songs were characterised by a tone that conveyed sharp expressions in a nuanced and euphemistic style. She started her career as a teacher, and went on to become the principal of Prayag Mahila Vidyapeeth. Verma chose to live an ascetic life, despite being married. She was also a skilled painter and creative translator. She had the distinction of receiving all the important awards in Hindi literature. As the most popular female litterateur of the last century, she remained revered throughout her life. Her birth centenary was celebrated in 2007. Later, Google also celebrated this day through its Google Doodle. (Full article...)

    Mahadevi Verma (26 March 1907 – 11 September 1987) was an Indian Hindi-language poet, essayist, sketch story writer and an eminent personality of Hindi literature. She is considered one of the four major pillars of the Chhayawadi era in Hindi literature. She has also been addressed as the modern Meera. Poet Nirala had once called her "Saraswati in the vast temple of Hindi Literature". Verma witnessed India before and after its independence. She was one of those poets who worked for the wider society of India. Her poetry, along with her work towards social upliftment and women's welfare, were depicted in her writings. These works, especially her anthology Deepshikha, greatly influenced both readers and critics.

    She developed a soft vocabulary in the Hindi poetry of Khadi Boli, which before her was considered possible only in Braj Bhasha. She was also well-versed in music, and her songs were characterised by a tone that conveyed sharp expressions in a nuanced and euphemistic style. She started her career as a teacher, and went on to become the principal of Prayag Mahila Vidyapeeth. Verma chose to live an ascetic life, despite being married. She was also a skilled painter and creative translator. She had the distinction of receiving all the important awards in Hindi literature. As the most popular female litterateur of the last century, she remained revered throughout her life. Her birth centenary was celebrated in 2007. Later, Google also celebrated this day through its Google Doodle. (Full article...)
  • Image 10 Swaminarayan Akshardham in Delhi, India Swaminarayan Akshardham is a Hindu temple and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. It is the world's second-largest BAPS Hindu temple, following Akshardham, New Jersey, in the United States. The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)

    Swaminarayan Akshardham in Delhi, India

    Swaminarayan Akshardham is a Hindu temple and spiritual-cultural campus in Delhi, India. The temple is close to the border with Noida. Also referred to as Akshardham Temple or Akshardham Delhi, the complex displays millennia of traditional and modern Hindu culture, spirituality, and architecture. Inspired by Yogiji Maharaj and created by Pramukh Swami Maharaj, it was constructed by BAPS. It is the world's second-largest BAPS Hindu temple, following Akshardham, New Jersey, in the United States.

    The temple was officially opened on 6 November 2005 by Pramukh Swami Maharaj in the presence of A. P. J. Abdul Kalam, Manmohan Singh, L.K Advani and B.L Joshi. The temple, at the centre of the complex, was built according to the Vastu shastra and Pancharatra shastra. (Full article...)
  • Image 11 Khan in 2024 Saif Ali Khan (pronounced [ˈsæːf əˈli xaːn]; born Sajid Ali Khan Pataudi; 16 August 1970) is an Indian actor and film producer who primarily works in Hindi films. The titular head of the Pataudi family since 2011, he is the son of actress Sharmila Tagore and cricketer Mansoor Ali Khan Pataudi. Khan has won several awards, including a National Film Award and seven Filmfare Awards, and received the Padma Shri, the fourth highest Indian civilian award in 2010. Khan made his acting debut in Parampara (1993), and had success in the multi-starrers Yeh Dillagi (1994), Main Khiladi Tu Anari (1994), Kachche Dhaage (1999) and Hum Saath-Saath Hain (1999). In the 2000s, he gained praise and won multiple awards for his roles in the romantic comedies Dil Chahta Hai (2001) and Kal Ho Naa Ho (2003), and had success as a solo male star in the romances Hum Tum (2004), Parineeta, Salaam Namaste (both 2005) and Ta Ra Rum Pum (2007). (Full article...)

    Khan in 2024

    Saif Ali Khan (pronounced [ˈsæːf əˈli xaːn]; born Sajid Ali Khan Pataudi; 16 August 1970) is an Indian actor and film producer who primarily works in Hindi films. The titular head of the Pataudi family since 2011, he is the son of actress Sharmila Tagore and cricketer Mansoor Ali Khan Pataudi. Khan has won several awards, including a National Film Award and seven Filmfare Awards, and received the Padma Shri, the fourth highest Indian civilian award in 2010.

    Khan made his acting debut in Parampara (1993), and had success in the multi-starrers Yeh Dillagi (1994), Main Khiladi Tu Anari (1994), Kachche Dhaage (1999) and Hum Saath-Saath Hain (1999). In the 2000s, he gained praise and won multiple awards for his roles in the romantic comedies Dil Chahta Hai (2001) and Kal Ho Naa Ho (2003), and had success as a solo male star in the romances Hum Tum (2004), Parineeta, Salaam Namaste (both 2005) and Ta Ra Rum Pum (2007). (Full article...)
  • Image 12 Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana. The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
    Geet Ramayan (Marathi: गीत रामायण, English: The Ramayana in Songs) is a collection of 56 Marathi language songs chronologically describing events from the Indian Hindu epic, the Ramayana. It was broadcast by All India Radio, Pune in 1955–1956, four years before television was introduced in India. Written by G. D. Madgulkar and the songs being composed by Sudhir Phadke, Geet Ramayan was acclaimed for its lyrics, music and singing. It is considered a "milestone of Marathi light music" and the "most popular" Marathi version of Ramayana.

    The team of Madgulkar and Phadke presented a new song every week for a year with every song being aired first on a Friday morning and then again on Saturday and Sunday morning, between 8:45 AM and 9:00 AM IST. The program's first song "Kuśa Lava Rāmāyaṇ Gātī" was aired on 1 April 1955. Though Geet Ramayan is based on sage Valmiki's epic Ramayana, Madgulkar chose a different narrative format and was praised for the lyrics, and was called Ādhunik Valmiki (the modern Valmiki). The Geet Ramayan is considered as "the crescendo of Madgulkar's literary vigour". Phadke mainly used ragas of Hindustani classical music to compose the songs. He also selected the raga and the Tāla of a song to suit the time of the incident and the narrative mood. The poet and composer were praised for their contribution to the series. (Full article...)
  • Image 13 Hyderabadi mutton haleem garnished with cilantro, egg, fried onion, and lime Hyderabadi haleem (/ˈhaɪdərəbɑːdiː həˈliːm/) is a type of haleem popular in the Indian city of Hyderabad. Haleem is a stew composed of meat, lentils, and pounded wheat made into a thick paste. It is originally an Arabic dish and was introduced to the Hyderabad State by the Chaush people during the rule of the Nizams (the former rulers of Hyderabad State). Local traditional spices helped a unique Hyderabadi haleem evolve, that became popular among the native Hyderabadis by the 20th century. The preparation of haleem has been compared to that of Hyderabadi biryani. Though Hyderabadi haleem is the traditional hors d'oeuvre at weddings, celebrations and other social occasions, it is particularly consumed in the Islamic month of Ramadan during Iftar (the evening meal that breaks the day-long fast) as it is high in calories. In recognition of its cultural significance and popularity, in 2010 it was granted Geographical Indication status (GIS) by the Indian GIS registry office, making it the first non-vegetarian dish in India to receive this status. In October 2022, Hyderabadi haleem won 'Most Popular GI' award in the food category, that was chosen through a voting system that was conducted by the Department for Promotion of Industry & Internal Trade (under the Ministry of Commerce and Industry). (Full article...)

    Hyderabadi mutton haleem garnished with cilantro, egg, fried onion, and lime

    Hyderabadi haleem (/ˈhaɪdərəbɑːdiː həˈliːm/) is a type of haleem popular in the Indian city of Hyderabad. Haleem is a stew composed of meat, lentils, and pounded wheat made into a thick paste. It is originally an Arabic dish and was introduced to the Hyderabad State by the Chaush people during the rule of the Nizams (the former rulers of Hyderabad State). Local traditional spices helped a unique Hyderabadi haleem evolve, that became popular among the native Hyderabadis by the 20th century.

    The preparation of haleem has been compared to that of Hyderabadi biryani. Though Hyderabadi haleem is the traditional hors d'oeuvre at weddings, celebrations and other social occasions, it is particularly consumed in the Islamic month of Ramadan during Iftar (the evening meal that breaks the day-long fast) as it is high in calories. In recognition of its cultural significance and popularity, in 2010 it was granted Geographical Indication status (GIS) by the Indian GIS registry office, making it the first non-vegetarian dish in India to receive this status. In October 2022, Hyderabadi haleem won 'Most Popular GI' award in the food category, that was chosen through a voting system that was conducted by the Department for Promotion of Industry & Internal Trade (under the Ministry of Commerce and Industry). (Full article...)
  • Image 14 Aga Khan III, facilitator of the Simla Deputation The Simla Deputation was a gathering of 35 prominent Indian Muslim leaders led by the Aga Khan III at the Viceregal Lodge in Simla in October 1906. The deputation aimed to convince Lord Minto, the viceroy of India, to grant Muslims greater representation in politics. The deputation took advantage of the liberal values of the newly-appointed Minto and his Secretary of State, John Morley, following the election of the Liberals in the 1906 United Kingdom general election, as well as the willingness of the British and the Indian Muslims to cooperate – the British wanted to use Indian Muslims as a bulwark against the Indian National Congress and Hindu nationalism, while the Muslims, based in Aligarh Muslim University, wanted to use the opportunity to secure more political representation for themselves. (Full article...)

    Aga Khan III, facilitator of the Simla Deputation

    The Simla Deputation was a gathering of 35 prominent Indian Muslim leaders led by the Aga Khan III at the Viceregal Lodge in Simla in October 1906. The deputation aimed to convince Lord Minto, the viceroy of India, to grant Muslims greater representation in politics.

    The deputation took advantage of the liberal values of the newly-appointed Minto and his Secretary of State, John Morley, following the election of the Liberals in the 1906 United Kingdom general election, as well as the willingness of the British and the Indian Muslims to cooperate – the British wanted to use Indian Muslims as a bulwark against the Indian National Congress and Hindu nationalism, while the Muslims, based in Aligarh Muslim University, wanted to use the opportunity to secure more political representation for themselves. (Full article...)
  • Image 15 Portrait of Mah Laqa Bai Mah Laqa Bai (7 April 1768 – August 1824), born Chanda Bai, and sometimes referred to as Mah Laqa Chanda, was an Indian 18th century Urdu poet, courtesan (tawaif) and philanthropist based in Hyderabad. In 1824, she became the first female poet to have a diwan (collection of poems) of her work, a compilation of Urdu Ghazals named Gulzar-e-Mahlaqa, published posthumously. She lived in a period when Dakhini (a version of Urdu) was making its transition into the highly Persianized Urdu. Her literary contributions provide insight into such linguistic transformations in southern India. Mah Laqa Bai was an influential courtesan of the Deccan; the Nizam, ruler of Hyderabad, appointed her to the omarah (the highest nobility), and as a close affiliate at the court, she was discussed on state policies and accomplished assigned diplomatic engagements. An expert in spear throwing, tent pegging and archery, she accompanied Nizam II in three battles, hunting expeditions and camping. She moved in palanquin with guards and drummers announcing her arrival. (Full article...)

    Portrait of Mah Laqa Bai

    Mah Laqa Bai (7 April 1768 – August 1824), born Chanda Bai, and sometimes referred to as Mah Laqa Chanda, was an Indian 18th century Urdu poet, courtesan (tawaif)
    and philanthropist based in Hyderabad. In 1824, she became the first female poet to have a diwan (collection of poems) of her work, a compilation of Urdu Ghazals named Gulzar-e-Mahlaqa, published posthumously. She lived in a period when Dakhini (a version of Urdu) was making its transition into the highly Persianized Urdu. Her literary contributions provide insight into such linguistic transformations in southern India.

    Mah Laqa Bai was an influential courtesan of the Deccan; the Nizam, ruler of Hyderabad, appointed her to the omarah (the highest nobility), and as a close affiliate at the court, she was discussed on state policies and accomplished assigned diplomatic engagements. An expert in spear throwing, tent pegging and archery, she accompanied Nizam II in three battles, hunting expeditions and camping. She moved in palanquin with guards and drummers announcing her arrival. (Full article...)
  • Image 16 Devdas is the soundtrack of the 2002 Indian Hindi-language film of the same name directed by Sanjay Leela Bhansali. It was released on 6 March 2002 by Universal Music India. The soundtrack, which was developed for two years, contains nine original songs (composed by Ismail Darbar and Birju Maharaj) and one background score (composed by Monty Sharma), with lyrics by Nusrat Badr and Sameer Anjaan. It stars Shah Rukh Khan, Aishwarya Rai Bachchan and Madhuri Dixit. Shreya Ghoshal made her playback singing debut, following her 2000 meeting with Bhansali at a contest in Sa Re Ga Ma Pa. The composition of Devdas uses several Indian instruments, including basants, dholaks, sarangis, sitars and tablas. The album received positive reviews from music critics, who mostly praised Ghoshal's singing and Darbar's composition. It won several awards, including two National Film Awards and three Filmfare Awards. "Dola Re Dola" and "Maar Dala" are regarded as the best songs from Devdas, being listed as such by several publications. It emerged as the third-highest-selling Bollywood soundtrack album of 2002. (Full article...)
    Devdas is the soundtrack of the 2002 Indian Hindi-language film of the same name directed by Sanjay Leela Bhansali. It was released on 6 March 2002 by Universal Music India. The soundtrack, which was developed for two years, contains nine original songs (composed by Ismail Darbar and Birju Maharaj) and one background score (composed by Monty Sharma), with lyrics by Nusrat Badr and Sameer Anjaan. It stars Shah Rukh Khan, Aishwarya Rai Bachchan and Madhuri Dixit.

    Shreya Ghoshal made her playback singing debut, following her 2000 meeting with Bhansali at a contest in Sa Re Ga Ma Pa. The composition of Devdas uses several Indian instruments, including basants, dholaks, sarangis, sitars and tablas. The album received positive reviews from music critics, who mostly praised Ghoshal's singing and Darbar's composition. It won several awards, including two National Film Awards and three Filmfare Awards. "Dola Re Dola" and "Maar Dala" are regarded as the best songs from Devdas, being listed as such by several publications. It emerged as the third-highest-selling Bollywood soundtrack album of 2002. (Full article...)
  • Image 17 Cyclone Giri near peak intensity on October 22 Extremely Severe Cyclonic Storm Giri (IMD designation: BOB 04, JTWC designation 04B, also known as Cyclone Giri) was a powerful tropical cyclone in terms of 1-minute sustained wind speed which caused catastrophic damage in parts of Myanmar in late October 2010. Originating from an area of low pressure over the Bay of Bengal on October 19, the system began as a weak depression 250 km (155 mi) south of Myanmar. Over the following few days, the depression underwent explosive intensification, reaching its peak intensity with winds of 195 km/h (120 mph 3-minute sustained) on October 22. Cyclone Giri made landfall roughly 50 km (31 mi) northwest of Kyaukpyu, shortly after peaking. Within hours of moving onshore, the system had substantially weakened. By the following day, Giri had degenerated into a tropical depression and the final advisory was issued on the storm. Unlike during Cyclone Nargis in 2008, the Government of Myanmar took steps to ensure the safety of residents in the path of Cyclone Giri. An estimated 53,000 are believed to have evacuated Kyaukphyu before the arrival of the storm. Throughout central Myanmar, at least 157 people are known to have been killed by Giri. Thousands of structures near where the storm made landfall were destroyed, leaving more than 70,000 people homeless. An international relief effort began shortly after the storm passed to assist survivors of the storm. Local and foreign media initially criticized the Myanmar government for not giving residents enough warning of the storm and then for keeping quiet on the situation, but the focus later shifted to the loss of life and relief efforts. (Full article...)

    Cyclone Giri near peak intensity on October 22

    Extremely Severe Cyclonic Storm Giri (IMD designation: BOB 04, JTWC designation 04B, also known as Cyclone Giri) was a powerful tropical cyclone in terms of 1-minute sustained wind speed which caused catastrophic damage in parts of Myanmar in late October 2010. Originating from an area of low pressure over the Bay of Bengal on October 19, the system began as a weak depression 250 km (155 mi) south of Myanmar. Over the following few days, the depression underwent explosive intensification, reaching its peak intensity with winds of 195 km/h (120 mph 3-minute sustained) on October 22. Cyclone Giri made landfall roughly 50 km (31 mi) northwest of Kyaukpyu, shortly after peaking. Within hours of moving onshore, the system had substantially weakened. By the following day, Giri had degenerated into a tropical depression and the final advisory was issued on the storm.

    Unlike during Cyclone Nargis in 2008, the Government of Myanmar took steps to ensure the safety of residents in the path of Cyclone Giri. An estimated 53,000 are believed to have evacuated Kyaukphyu before the arrival of the storm. Throughout central Myanmar, at least 157 people are known to have been killed by Giri. Thousands of structures near where the storm made landfall were destroyed, leaving more than 70,000 people homeless. An international relief effort began shortly after the storm passed to assist survivors of the storm. Local and foreign media initially criticized the Myanmar government for not giving residents enough warning of the storm and then for keeping quiet on the situation, but the focus later shifted to the loss of life and relief efforts. (Full article...)
  • Image 18 Nani Gentleman (or simply Gentleman) is a 2016 Indian Telugu-language romantic thriller film directed by Mohan Krishna Indraganti who wrote the film with R. David Nathan. Produced by Sivalenka Krishna Prasad's Sridevi Movies, Gentleman stars Nani in double role alongside Surbhi, Nivetha Thomas, Tanikella Bharani, Srinivas Avasarala and Vennela Kishore. The film narrates the story of two women, Aishwarya and Catherine, whose respective lovers, Jayaram and Gautham, are lookalikes. When Gautham dies in an accident, Catherine suspects Jai's role in it and spies on him, which reveals further truths about Jai and the people around him, including Gautham. The film marked Prasad's return to film production after an eight-year hiatus. P. G. Vinda was the film's director of photography. Mani Sharma composed the soundtrack and score; Marthand K. Venkatesh edited the film. Principal photography commenced in November 2015 and lasted until April 2016. Except for a schedule in Kodaikanal, the majority of the film's portions were shot in and around Hyderabad. (Full article...)
    Nani Gentleman (or simply Gentleman) is a 2016 Indian Telugu-language romantic thriller film directed by Mohan Krishna Indraganti who wrote the film with R. David Nathan. Produced by Sivalenka Krishna Prasad's Sridevi Movies, Gentleman stars Nani in double role alongside Surbhi, Nivetha Thomas, Tanikella Bharani, Srinivas Avasarala and Vennela Kishore. The film narrates the story of two women, Aishwarya and Catherine, whose respective lovers, Jayaram and Gautham, are lookalikes. When Gautham dies in an accident, Catherine suspects Jai's role in it and spies on him, which reveals further truths about Jai and the people around him, including Gautham.

    The film marked Prasad's return to film production after an eight-year hiatus. P. G. Vinda was the film's director of photography. Mani Sharma composed the soundtrack and score; Marthand K. Venkatesh edited the film. Principal photography commenced in November 2015 and lasted until April 2016. Except for a schedule in Kodaikanal, the majority of the film's portions were shot in and around Hyderabad. (Full article...)
  • Image 19 Narayan on a 2009 stamp of India Rasipuram Krishnaswami Narayanaswami (10 October 1906 – 13 May 2001), better known as R. K. Narayan, was an Indian writer and novelist known for his work set in the fictional South Indian town of Malgudi. He was a leading author of early Indian literature in English along with Mulk Raj Anand and Raja Rao. Narayan's mentor and friend Graham Greene was instrumental in getting publishers for Narayan's first four books including the semi-autobiographical trilogy of Swami and Friends, The Bachelor of Arts and The English Teacher. (Full article...)

    Narayan on a 2009 stamp of India

    Rasipuram Krishnaswami Narayanaswami (10 October 1906 – 13 May 2001), better known as R. K. Narayan, was an Indian writer and novelist known for his work set in the fictional South Indian town of Malgudi. He was a leading author of early Indian literature in English along with Mulk Raj Anand and Raja Rao.

    Narayan's mentor and friend Graham Greene was instrumental in getting publishers for Narayan's first four books including the semi-autobiographical trilogy of Swami and Friends, The Bachelor of Arts and The English Teacher. (Full article...)
  • Image 20 Yadav in 2024 Suryakumar Ashok Yadav (born 14 September 1990) is an Indian international cricketer. He is a right-handed middle-order batter. He represents the India national cricket team and captains the Twenty20 International (T20I) side. He was part of the national team that won the 2023 Asia Cup and the 2024 T20 World Cup. Yadav started playing club cricket in Mumbai before he was selected for the Mumbai cricket team. He made his List A debut for Mumbai in February 2010 before making his first-class and T20 debut in the same year. In March 2021, he made his T20I debut and later made his ODI debut in July of the same year. He has mainly played limited-overs cricket for India, having played his only Test match in February 2023. He was named as the captain of the Indian team for first time in November 2023 and was re-appointed as the captain of the Indian T20I team in July 2024 after the previous captain Rohit Sharma announced his retirement from T20Is. (Full article...)

    Yadav in 2024

    Suryakumar Ashok Yadav (born 14 September 1990) is an Indian international cricketer. He is a right-handed middle-order batter. He represents the India national cricket team and captains the Twenty20 International (T20I) side. He was part of the national team that won the 2023 Asia Cup and the 2024 T20 World Cup.

    Yadav started playing club cricket in Mumbai before he was selected for the Mumbai cricket team. He made his List A debut for Mumbai in February 2010 before making his first-class and T20 debut in the same year. In March 2021, he made his T20I debut and later made his ODI debut in July of the same year. He has mainly played limited-overs cricket for India, having played his only Test match in February 2023. He was named as the captain of the Indian team for first time in November 2023 and was re-appointed as the captain of the Indian T20I team in July 2024 after the previous captain Rohit Sharma announced his retirement from T20Is. (Full article...)
  • Image 21 Cornelia Sorabji at the Braemar Gathering in 1924 Cornelia Sorabji (15 November 1866 – 6 July 1954) was an Indian lawyer, social reformer and writer. She was the first female graduate from Bombay University, and the first woman to study law at Oxford University. Returning to India after her studies at Oxford, Sorabji became involved in social and advisory work on behalf of the purdahnashins, women who were forbidden to communicate with the outside male world, but she was unable to defend them in court since, as a woman, she did not hold professional standing in the Indian legal system. Hoping to remedy this, Sorabji presented herself for the LLB examination of Bombay University in 1897 and the pleader's examination of Allahabad High Court in 1899. She became the first female advocate in India but would not be recognised as a barrister until the law which barred women from practising was changed in 1923. She was involved with several social service campaigning groups, including the National Council for Women in India, the Federation of University Women, and the Bengal League of Social Service for Women. She opposed the imposition of Western perspectives on the movement for women's change in India, and took a cautious approach to social reform, opposing rapid change. Sorabji believed that until all women were educated, political reform would not be of genuine lasting value. She supported the British Raj, and purdah for upper-caste Hindu women, and opposed Indian self-rule. Her views prevented her obtaining the support needed to undertake later social reforms. Sorabji authored multiple publications, which were influential in the early 20th century. (Full article...)

    Cornelia Sorabji at the Braemar Gathering in 1924

    Cornelia Sorabji (15 November 1866 – 6 July 1954) was an Indian lawyer, social reformer and writer. She was the first female graduate from Bombay University, and the first woman to study law at Oxford University. Returning to India after her studies at Oxford, Sorabji became involved in social and advisory work on behalf of the purdahnashins, women who were forbidden to communicate with the outside male world, but she was unable to defend them in court since, as a woman, she did not hold professional standing in the Indian legal system. Hoping to remedy this, Sorabji presented herself for the LLB examination of Bombay University in 1897 and the pleader's examination of Allahabad High Court in 1899. She became the first female advocate in India but would not be recognised as a barrister until the law which barred women from practising was changed in 1923.

    She was involved with several social service campaigning groups, including the National Council for Women in India, the Federation of University Women, and the Bengal League of Social Service for Women. She opposed the imposition of Western perspectives on the movement for women's change in India, and took a cautious approach to social reform, opposing rapid change. Sorabji believed that until all women were educated, political reform would not be of genuine lasting value. She supported the British Raj, and purdah for upper-caste Hindu women, and opposed Indian self-rule. Her views prevented her obtaining the support needed to undertake later social reforms. Sorabji authored multiple publications, which were influential in the early 20th century. (Full article...)
  • Image 22 There Comes Papa is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. (Full article...)

    There Comes Papa is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. (Full article...)
  • Image 23 Akash on May 14 Cyclonic Storm Akash (JTWC designation: 01B) was the first named tropical cyclone of the 2007 North Indian Ocean cyclone season. Warned by both India Meteorological Department (IMD) and Joint Typhoon Warning Center (JTWC), it formed from an area of disturbed weather on the Bay of Bengal on May 12, and gradually organized as it drifted northward. An eye began to develop as it approached land, and after reaching peak 3-min sustained winds of 85 km/h (55 mph) it struck about 115 km (71 mi) south of Chittagong in Bangladesh. Akash rapidly weakened over land, and advisories were discontinued on May 15. The storm initially brought heavy rainfall to the Andaman and Nicobar Islands. Upon striking Bangladesh, Cyclonic Storm Akash produced a moderate storm tide, along with strong winds and heavy rains. The storm left dozens of boats missing, with three fisherman confirmed killed and another 50 missing. Near the coast, thousands of houses were damaged from the flooding caused by the storm. In Burma, its storm tide caused some coastal flooding. In all, 14 people were killed and damages amounted to US$982 million. (Full article...)

    Akash on May 14

    Cyclonic Storm Akash (JTWC designation: 01B) was the first named tropical cyclone of the 2007 North Indian Ocean cyclone season. Warned by both India Meteorological Department (IMD) and Joint Typhoon Warning Center (JTWC), it formed from an area of disturbed weather on the Bay of Bengal on May 12, and gradually organized as it drifted northward. An eye began to develop as it approached land, and after reaching peak 3-min sustained winds of 85 km/h (55 mph) it struck about 115 km (71 mi) south of Chittagong in Bangladesh. Akash rapidly weakened over land, and advisories were discontinued on May 15.

    The storm initially brought heavy rainfall to the Andaman and Nicobar Islands. Upon striking Bangladesh, Cyclonic Storm Akash produced a moderate storm tide, along with strong winds and heavy rains. The storm left dozens of boats missing, with three fisherman confirmed killed and another 50 missing. Near the coast, thousands of houses were damaged from the flooding caused by the storm. In Burma, its storm tide caused some coastal flooding. In all, 14 people were killed and damages amounted to US$982 million. (Full article...)
  • Image 24 The Upanishads (/ʊˈpʌnɪʃədz/; Sanskrit: उपनिषद्, IAST: Upaniṣad, pronounced [ˈupɐniʂɐd]) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices. While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ritualism and interpreted in various ways in the later commentarial traditions. The Upanishads are widely known, and their diverse ideas, interpreted in various ways, informed later traditions of Hinduism. The central concern of all Upanishads is to discover the relations between ritual, cosmic realities (including gods), and the human body/person, postulating Ātman and Brahman as the "summit of the hierarchically arranged and interconnected universe", but various ideas about the relation between Atman and Brahman can be found. (Full article...)

    The Upanishads (/ʊˈpʌnɪʃədz/; Sanskrit: उपनिषद्, IAST: Upaniṣad, pronounced [ˈupɐniʂɐd]) are late Vedic and post-Vedic Sanskrit texts that "document the transition from the archaic ritualism of the Veda into new religious ideas and institutions" and the emergence of the central religious concepts of Hinduism. They are the most recent addition to the Vedas, the oldest scriptures of Hinduism, and deal with meditation, philosophy, consciousness, and ontological knowledge. Earlier parts of the Vedas dealt with mantras, benedictions, rituals, ceremonies, and sacrifices.

    While among the most important literature in the history of Indian religions and culture, the Upanishads document a wide variety of "rites, incantations, and esoteric knowledge" departing from Vedic ritualism and interpreted in various ways in the later commentarial traditions. The Upanishads are widely known, and their diverse ideas, interpreted in various ways, informed later traditions of Hinduism. The central concern of all Upanishads is to discover the relations between ritual, cosmic realities (including gods), and the human body/person, postulating Ātman and Brahman as the "summit of the hierarchically arranged and interconnected universe", but various ideas about the relation between Atman and Brahman can be found. (Full article...)
  • Image 25 Official portrait, 1982 Giani Zail Singh (pronunciation, born Jarnail Singh; 5 May 1916 – 25 December 1994) was an Indian politician from Punjab who served as the president of India from 1982 to 1987 and chief minister of Punjab. He was the first Sikh to become president. Born in Sandhwan in the princely state of Faridkot, Singh trained to be a granthi and was given the title of giani, meaning a learned man, while training at the Sikh Missionary School in Amritsar. Singh was associated with peasant agitations and the movement seeking a representative government in Faridkot. His political activism in the Praja Mandal, an organisation allied with the Indian National Congress, saw him sentenced to solitary confinement between 1938 and 1943. He led a flag satyagraha and formed a parallel government in Faridkot State which were called off only after the intervention of Jawaharlal Nehru and Vallabhbhai Patel. The stints in jail inspired him to change his name to Zail Singh. (Full article...)

    Official portrait, 1982

    Giani Zail Singh (pronunciation, born Jarnail Singh; 5 May 1916 – 25 December 1994) was an Indian politician from Punjab who served as the president of India from 1982 to 1987 and chief minister of Punjab. He was the first Sikh to become president.

    Born in Sandhwan in the princely state of Faridkot, Singh trained to be a granthi and was given the title of giani, meaning a learned man, while training at the Sikh Missionary School in Amritsar. Singh was associated with peasant agitations and the movement seeking a representative government in Faridkot. His political activism in the Praja Mandal, an organisation allied with the Indian National Congress, saw him sentenced to solitary confinement between 1938 and 1943. He led a flag satyagraha and formed a parallel government in Faridkot State which were called off only after the intervention of Jawaharlal Nehru and Vallabhbhai Patel. The stints in jail inspired him to change his name to Zail Singh. (Full article...)
More good articles

News

20 March 2025 –
Social media company X files a lawsuit against the government of India alleging that the Indian government is censoring the social media platform along with other information. (DW)
18 March 2025 – 2025 Nagpur violence
A curfew is imposed in parts of Nagpur in Maharashtra, India, after Hindu groups demanded the removal of the tomb of Aurangzeb, a 17th-century Mughal emperor, sparking violence. (BBC News)
9 March 2025 –
In international cricket, India wins the 2025 ICC Champions Trophy by defeating New Zealand in the final. (AP)
7 March 2025 – 2025 United States federal mass layoffs
The Native American Rights Fund, on behalf of five Indigenous American students and three tribes, the Cheyenne and Arapaho Tribes, the Prairie Band Potawatomi Nation, and the Pueblo of Isleta, file a lawsuit against the United States Department of the Interior and the Bureau of Indian Education (BIE) for alleged wrongful dismissals of BIE schoolteachers. (AP)
28 February 2025 – 2024–25 South-West Indian Ocean cyclone season
Three people are killed as tropical cyclone Garance makes landfall in Réunion in the Indian Ocean. (AP)

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